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Panoramic Lens Substitution

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  Background Since I first started taking photos, I was interested in taking panoramas. I was both inexperienced and the tools accessible to normal photographers at that time where very limited. My early attempts were made using tripods, attempting to mount the camera close to the center of the nodal point of the lens, and then very carefully manually stitching photos together.  Lacking the correct and expensive tools, the process was tedious, and error prone One of my first attempts at a Panorama Eventually I stopped attempting panoramic images as the results where never very successful. (I did try other ideas circa 2007)  Revisited That eventually changed when a technique  Ryan Brenizer  became popular somewhere around 2012-2014. ( I can't recall when I first encountered it) This method was taking a long fast lens and taking photos to cover the entire area of what a larger format would cover.  The result is both an impossibly thin depth of field combined ...

Film Scanning with Foveon

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  As I've been revisiting using a Digital Camera as a film scanner, I thought it might be interesting to see if using a Foveon Style sensor would have any advantages. While it only has 25 effective megapixels, for 35mm scans and smaller, the extra color information and sharpness of the foveon sensor should be more than enough under ideal conditions. One note is that the shutter slap on the sdqh isn't great and made getting sharp scans more difficult than a mirrorless with an Eletronic shutter. But what I am interested most in is if the color response would appear to offer any advantage.  For this setup it's more or less the same as my latest venture into film scanning: DSLR SCANNING sdqh with 105mm macro lens While there are three kinds of film I could test, I think slides make for the easiest comparison as they result in an image without any additional processing to compensate for the color base or being inverted. Because of the greater shadow noise of the sdqh at the same...

DSLR Film Scanning

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If you shoot film, the worst part of the entire process has to be getting the images into a computer. While there might still be some purists who preserve a completely analogue workflow between capture, development, print.  I respect people who do that, as it's becoming a much rarer art form itself. Most people these days want their photos to exist on a computer to edit and/or share. There are a few options to accomplish this, but the traditional method was to scan with a dedicated scanner. And scanning is its own entire subject with its own considerations separate from simply taking the photo. There is an entire process you have to learn for any given scanner to get results you can be happy with. I actually put together a short piece on that about a decade ago on my minor annoyance with people comparing scanners more-so then the film: Mindful of Film Scanning Which to bring this all back around is to say, scanning and scanners are really annoying, fiddly, and generally the worst s...